When an author and her husband escape to a secluded cabin to finish her latest novel, the fabric of reality unravels with murderous consequences.

阿諾梅斯考對物品著迷，他不只喜歡擁有，更著迷於偷竊的過程。他目睹年輕女子愛蜜莉犯下衝動殺人事件，愛上了她。愛蜜莉以為把凶器處理掉便能擺脫阿諾的要脅，但她長得和阿諾因意外死亡的舊情人太像，導致阿諾無法忘情於她，想盡辦法要讓愛蜜莉愛上他。她發現阿諾手上握有凶器，只好虛與委蛇一番，殊不知她即將失去一切。

Lonely delivery man Joseph falls in love with an alcoholic prostitute named Karen, who frequents one of the stops along his route. Though they soon become friends, Joseph is unable to figure out what makes the very-guarded Karen tick. While Karen drowns the sorrows of her mysterious past, keeping him at bay, Joseph remains committed to winning her affection, resorting to extreme measures in his search for the key to her heart. Embarking on a dark journey with a mystical relic -a 'hand of glory,' whose legend purports the ability to unlock any door- Joseph soon discovers that such feats come at a dire price.

An abstract artist promises to deliver twenty five paintings to an art gallery. As he fights for his creative spark and deadlines loom, he feels his world around him crumble away.

Written and directed by Joseph Pettinati.

A rich woman becomes paranoid after losing her daughter to a so-called Kabuki Killer.

A group of people take shelter from the storm in an old spa served by a marriage and a servant. It is a very diverse group, highlighting a man who, with his wife, carrying a briefcase full of money. At night, at dinner in honor of the newcomers is a power outage and shortly afterwards, they realize that the man with the briefcase has been murdered.

A tourist travelling through Morocco discovers an ancient curse and must choose between light and dark.

Guyanese painter Aubrey Williams (1926-1990) returns to his homeland on a “journey to the source of his inspiration” in this vivid Arts Council documentary, filmed towards the end of his life. The title comes from the indigenous Arawak word ‘timehri’ - the mark of the hand of man - which Williams equates to art itself. Timehri was also then the name of the international airport at Georgetown, Guyana's capital, where Williams stops off to restore an earlier mural. The film offers a rare insight into life beyond Georgetown, what Williams calls “the real Guyana.” Before moving to England in 1952 he had been sent to work on a sugar plantation in the jungle; this is his first chance to revisit the region and the Warao Indians - formative influences on his work - in four decades. Challenging the ill-treatment of indigenous Guyanese, Williams explored the potential of art to change attitudes. By venturing beyond his British studio, this film puts his work into vibrant context.

Sometimes even the police find abiding by the law a difficult task! These sex craved constables will do anything to get a leg over poor unsuspecting members of the public.